Chapter 6: Curatorial label for "Medusa"

Speaker 0 00:00:00 Chapter six, curatorial label for Medusa. This chapter is the text written by curator Heather Anderson. For Medusa. It is one and a half minutes long. Speaker 1 00:00:11 Ed p drew with a knife to create the shimmering tentacular tree with human figures amongst its branches. In 2000 4:00 PM who immigrated from Taiwan to Canada as a child, made a research trip to China where he encountered a spectacular cut paper While visiting a temple, he began experimenting with the ancient Chinese art of paper cutting, which dates back to northern and southern dynasties. 3 85 to 5 81 A. The monumental tree figures and ropes. In Medusa reference Le Deon, 1633, A renowned etching by French artist Jack. Hello and American artist, Nancy Spiros, maple Take No Prisoners. 2008, A sculpture comprising of central pole hung with colorful ribbons and cut aluminum heads. One. Medusa shares these artwork's indictment of violence. Medusa is also inspired by PM's experience of fireflies amongst ancient trees in Italy, a captivating homage to trees as more than human beings. Speaker 0 00:01:14 Please move to the next stop. It is a straight line to your right for seven meters at the stop turn left.