Chapter 30: "Glade and House"

Episode 30 February 28, 2023 00:01:26
Chapter 30: "Glade and House"
CUAG Audio Description Tour for Drawing on Our History
Chapter 30: "Glade and House"

Feb 28 2023 | 00:01:26

/

Show Notes

This chapter describes Glade and House by Emily Carr, created in 1945, and measuring 89 by 61 cm. It is a minute long. 

In this scene, tall trees dwarf a simple box cabin, built on the edge of a cleared section of the forest. The clearing, or glade, has been painted in muddy yellows, and is dotted with short black tree trunks. At this time, Carr, the renowned West Coast painter, used a thinned oil paint that had a consistency of cream. The brown paper underneath peaks out between the softly arched brushstrokes of varied greens she has used to depict the branches of the trees or the blue of the sky. These expressive gestures attempt to capture the aliveness of this scene, though it seems a stark commentary on human impact on the land. Though the cabin, and its invisible owner inside, seems enveloped by the trees, who knows how long it will be before they become stumps? What future is the owner of the cabin pondering as they stand looking out of those two tiny windows, taking in the smells of the air and trees all around them. 

To hear more about this work, play the next track. Or move to the next stop. Turn to the right and continue along this wall for 5 and a half metres.

View Full Transcript

Episode Transcript

Speaker 0 00:00:00 Chapter 30, glad In House. This chapter describes GLAD in House by Emily Carr, created before 1945 and measuring 89 by 61 centimeters. It is a minute long. Speaker 1 00:00:14 In this scene, tall trees dwarf a simple box cabin built on the edge of a cleared section of the forest. The clearing or glad has been painted in muddy yellows and is dotted with short black tree trunks at this time. Car, the renowned West coast painter used a thin oil paint that is the consistency of cream. The brown paper underneath peaks out between the softly arch brushstrokes of varied greens she has used to depict the branches of the trees or the blue of the sky. These expressive gestures attempt to capture the aliveness of the scene. Though it seems a stark commentary on human impact on the land, though the cabin and its invisible, owner inside seems embold by the trees, who knows how long it will be before they become stumps. What future is the owner of the cabin pondering as they stand looking out of those two tiny windows taking in the smells of the air and trees all around them? Speaker 0 00:01:17 To hear more about this work, play the next track or move to the next stop. Turn to the right and continue along this wall for five and a half meters.

Other Episodes

Episode 25

February 28, 2023 00:01:41
Episode Cover

Chapter 25: "Ilakka"

This chapter describes Ilakka by Gayle Uyagaqi Kabloona, made in 2023 and measuring 35 cm high and 20 cm wide at the base and...

Listen

Episode 5

February 28, 2023 00:01:49
Episode Cover

Chapter 5: "Medusa"

This chapter describes Medusa by Ed Pien, created in 2012. It is two minutes long.  Tilt your head up, and imagine you’re standing underneath...

Listen

Episode 2

February 28, 2023 00:03:01
Episode Cover

Chapter 2: About the Exhibition

This chapter introduces the exhibition and is 3 minutes long. It was written by CUAG curators Heather Anderson, Sandra Dyck and Danielle Printup. CUAG...

Listen